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I have often view upon viewing the prequel trilogy, the intervening years between the modern and the original. To be certain, most of the criticisms of the original trilogy are adult in nature. We tell ill of wooden dialogue and acting, convoluted storylines, and themes that aren’t just to the nature of the purity of science fiction. I was only five when Episode IV was release, so my only criticism of that particular film came in the acquire of whining to my folks that I couldn’t peek it again and again and again.
My point is this: George Lucas has his flaws, most of which are related to him being out of the director’s chair for more than 20 years before embarking on his modern trilogy toy, but I mediate, more importantly, that we as a filmgoing populace have changed as well. The fact that Lucas has been able to bridge that gap successfully (while telling the anecdote backwards, to boot!) demonstrates the man’s spacious talents. Perfect? Far from it, but damned attractive, nonetheless.
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Which brings me to the crown jewel of the prequel trilogy. “Revenge of the Sith” is the second best film of all six, ranking only slack “The Empire Strikes Attend” in terms of depth an substance. The acting is better and the writing, if not terrific, is helped by a game cast and a ride that doesn’t allow you to find your breath. Hayden Christiansan, for the most share, owns this role, displaying an adult gravity he was unable to prove in the dramatically clunky “Attack of the Clones” The rage, frustration, and scare contrasted with Anakin’s heroism and confidence in the face of battle made for a complex character who you found yourself rooting for despite the story’s preordained outcome.
The special effects, as usual, are outstanding, but for the most section benefit the film this time. There are points during the first two prequel films that you feel Lucas and Co. are simply showing off some of their shimmering recent toys, but in this film there is a more concrete sense of purpose.
Dramatically the film belongs to Ian McDiarmid. His performance creates the proper balance of charm and villiany and by doing so makes Anakin’s turn all the more believable even though the turn itself feels a tad sudden. In fact, I dare say that I enjoyed McDiarmid more when he was under the guise of Palpatine than when he fully reveals himself as Sidious. The scene during the opera is one of the grand dramatic highpoints of any of the six movies.
As for the flaws: obvious, there were a few. I would like to have seen a more galvanizing series of events leading to Anakin’s turn, perhaps some more perceived betrayals at the hands of the Jedi Council? I would like to have seen a more fleshed out performance by Natalie Portman, who seems to be more of an afterthought than a character in the third film. (On a side trace, Portman is a terrific actress, but was, in this humble reviewer’s belief, the most ill-served of the entire cast by the clunky dialogue that pervades all three films.)
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The one section to which I didn’t object that seemed to be the bane of many Star Wars fans is the scene enchanting the birth of Vader. I liked the allusions to “Frankenstein” for that is what Vader’s legend eventually becomes in the following trilogy: a search for his humanity, grand like Mary Shelley’s creation.
I also didn’t have a predicament with Vader’s reaction to the fact he’d caused Padme’s death. You have to remember that, despite the fact that he now has James Earl Jones’ booming state, he’s collected Anakin and detached very young. It does sound peculiar, I admit, but it’s level-headed completely in character. You also have to remember that Darth Vader will have a kindly 20 to 25 years to complete his transformation into the icy, remorseless killing machine we approach to know and esteem in Episode IV.
In all, “Revenge of the Sith” does a terrific job of tying things together in a manner that harkens benefit to when I was a child watching Star Wars for the first time. It’s impossible, as an adult, to completely dismiss some of the flaws in the later films, but Episode III definitely comes halt. It is a fair fraction of escapist filmaking that has heart, soul, and character and I would highly recommend it to anyone, Star Wars fan or no, looking for a fun time at the movies.
I never really understood what was so colossal about the Star Wars movies when I was growing up. I was born after the originals were released, so I was never a portion of that “culture” that Star Wars is. I saw them when I was around 13 or 14 and fell asleep before the waste of all three. I never had the desire to really peer them again until Phantom Menace came out. I didn’t gaze it in theaters, but I watched it, liked it, and waited for the next one to arrive out. I liked Episode II a lot better (I have to admit that half of that appreciation is because I cherish Haydn), but I serene didn’t really “earn” Star Wars. Well, I saw the triler for the third film, and I notion it looked really top-notch. I also opinion it was going to be murky, but I didn’t realize that I was going to yowl all the procedure home from the movie theater! After the experience of seeing Episode III, I now finally understand what Star Wars is all about, and I fancy it! This movie perfectly ties the two trilogies together. It is so emotionally great. I know a lot of people say that George Lucas can’t write diologue and can’t announce anything but action scenes, but I completely disagree. Though some lines are a bit corny, each scene is treated with a big amount of care and sets up your emotions so that you react to sure gloomy cercumstances (I’m positive you know what I’m refering to) in a very personal diagram. I have watched all three of the first series since seeing Episode III, and I luxuriate in them so noteworthy, because now I understand!
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